Underwater photographers have always debated their cameras and there are always questions and continuing debates about the virtues and performance of various formats. We cover all of their pros and cons in our free Handbook: Choosing an Underwater Camera & Housing, but here's my experience.
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Ultra-wide fisheye lenses are the preferred wide angle lens underwater due to their close focusing ability, sharp corners and wide field of view. Divers can usually get very close to their subjects with them, filling the frame, eliminating water which makes their photos lack sharpness, color and definition.
But there is a drawback to fisheye lenses; when shooting the straight lines, commonly of a pier or wreck, or models or other similar subjects, optical distortion is introduced.
By Margo Cavis
So, after a year of waiting and researching, I finally decided to get the Panasonic GH4 (even though it had already been out for quite some time), since I had started doing more video than photography, but still wanted the option to do both. I also liked the idea of being able to shoot 4K video...
By Margo Cavis. After years of using older and less powerful lights, or relying on filters and manual white balance, I had the pleasure to test out the new iTorch Venom c92 video lights. The results were undeniably improved, with clean, vibrant colors and far more detail. So... I will never go without good quality video lights again.