Olympus OM-D E-M1 MKII Camera Body

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OM-D E-M1 Mark II Advanced Mirrorless SLR Camera Body (black)

(Lens not included)

OM-D E-M1 Mark II Advanced Mirrorless SLR Camera Body (black)

Introducing the OM-D E-M1 Mk II, an advanced system of innovative technology and features designed to forever change your photography. Up to 18 frames per second sequential shooting with precision C-AF Tracking. 121 Cross-Type On-Chip Phase Detection AF points. Up to 5.5 shutter speed steps of compensation with powerful in-body image stabilization. It’s all enclosed in a magnesium alloy weatherproof body that weighs a mere 600 grams. Paired with the superior resolution of M.Zuiko PRO lenses, the E-M1 Mark II will deliver brilliant imagery that’s coveted by professionals everywhere.


Using its advanced silent electronic shutter, the E-M1 Mark II captures 20 MP RAW image files at up to an astonishing 60 fps in S-AF Mode and 18 fps in C-AF Tracking Mode. Or, use the E-M1 Mark II’s high-speed mechanical shutter to shoot full resolution photos at a blazing 15 fps in S-AF Mode, far surpassing other cameras in its class.


The Frequency Acceleration Sensor Technology (F.A.S.T.) AF system boasts 121 points of On-Chip Phase Detection plus Contrast Detection AF. Every point of On-Chip Phase Detection is cross-type, facilitating detection of vertical and horizontal lines for superior accuracy. For even faster focusing, the in-body AF Limiter function shortens AF drive time with three customizable focus distance ranges.


Capturing fast action is easy with the interactive 2.36 million-dot LCD EVF. It features a smooth 120 fps refresh rate with a 5 millisecond response time. For superior control, there are four AF target modes: All Point, Single Point, 5-Point Cross, and 9-Point Group. Precision C-AF Tracking and the subject-tracking Cluster Display simplify focusing on moving subjects.


The new 20 MP Live MOS Sensor features an Anti-Reflective Coating on both sides of the sealed cover glass to reduce flare, and its high-speed design captures distortion-free images of moving subjects that are rich in color and detail. It works simultaneously with the new dual quad-core TruePic™ VIII Image Processor that boasts four CPU cores, four image processing cores, and a dedicated AF calculation circuit to easily power the E-M1 Mark II’s blazing sequential shooting and autofocus speeds.


The advanced 5-Axis Image Stabilization compensates for all types of camera motion to provide up to 5.5 shutter speed steps of compensation for crisp images.


Capture C4K (4096 x 2160) video up to max bit rate of 237 Mbps at a 24P frame rate for true cinema quality. For even greater flexibility, shoot 4K (3840 x 2160) video with a 30P, 25P, or 24P frame rate. With the E-M1 Mark II’s 5-Axis Image Stabilization and electronic stabilization that’s optimized for video, you’ll shoot ultra-smooth handheld UHD video. Plus, there are two HDMI output modes: Monitor Mode supports an external monitor display, while Recording Mode records to an external monitor recorder.


Capturing the best moments can be difficult, especially when your subject is in motion. Pro Capture Mode ensures you’ll catch the exact moment you want without any lag. Pro Capture uses the silent electronic shutter to start buffering a running series of full resolution JPEG / RAW images when you press the shutter release button halfway. Then, fully press the shutter release to capture an image plus the 14 previous frames all at once. You can keep the shutter release fully depressed to continue sequential shooting. With its time machine-like capability, Pro Capture always has the perfect shot stored and ready to save.


Combined with M.Zuiko PRO lenses, the E-M1 Mark II is more compact and lightweight than DSLRs, providing comfortable shooting with more freedom - even allowing for handheld super-telephoto photography. The metal body provides outstanding grip and is hermetically sealed to be splashproof, dustproof, and freezeproof down to 14°F (-10°C), so you can take advantage of every photo opportunity in any environment.


The new high-capacity Li-Ion battery enables more images on a single charge (up to 440 shots) plus requires less charging time. The camera’s percentage battery display lets you check the remaining battery charge at a glance. Dual card slots feature a staggered layout for easy access and boast four recording settings. And the E-M1 Mark II’s shutter surpasses durability tests of 200,000 actuations.



Key Specs

  •     Sensor Effective Resolution / Type
  •     20.4 Megapixel Live MOS
  •     Processor
  •     TruePic™ VIII Dual Quad Core Processor
  •     Focusing System
  •     Dual F.A.S.T. AF (Contrast & Phase Detection AF) 121 Point (All Cross Type) On-Chip Phase Detection
  •     Image Stabilization System
  •     5-Axis In Body Image Stabilization
  •     Viewfinder
  •     2.36M dot LCD Electronic Viewfinder
  •     Rear Monitor
  •     3.0" Vari-Angle Touch LCD
  •     Weatherproof
  •     Dust, Splash and Freezeproof
  •     Sequential Shooting Speed
  •     15fps [H] mode 10fps [L] mode mechanical shutter
  •     60fps [H] mode 18fps [L] mode silent electronic shutter
  •     Flash
  •     Bundled FL-LM3 (dust & splash-proof)
  •     Special Features
  •     4k Video Capture (30/25/24 fps)
  •     PRO Capture Lag-Free Electronic Shutter Mode
  •     In-camera Focus Stacking
  •     Dual SD Card Slots
Detailed specs

Sensor / Dust Reduction

        Sensor Type
        4/3" Live MOS Sensor
        Effective Pixels
        20.4 million
        Total Pixels
        21.8 million
        Aspect Ratio & Area
        4:3 / 17.4 x 13.0mm
        Dust Reduction
        Super Sonic Wave Filter


        Processor Type
        TruePic™ VIII

Focusing System

        AF System Type
        High-speed imager AF: Imager phase detection AF and imager contrast AF (active AF automatically selected by camera; when a Micro Four Thirds lens is attached, imager phase detection AF is always selected)
        Focus Modes
        Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR) / Preset MF*1
        *1 Distance setting values are rough estimates and not compatible lens except the AF lens.
        Full Time AF
        Not Available
        AF Limiter
        Available (Fn button can be assigned to On/Off; can save 3 settings) *Distance setting values are rough estimates.
        AF Performance
        C-AF lock (5 steps) , AF scanner (3 types)
        Magnified Frame
        3x , 5x , 7x , 10x , 14x
        *Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on and to activate magnification; touch icon on monitor to turn off; enables selection of AF point from over 800.
        Face Detection AF / Eye Detection
        Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority
        Focusing Points / Focusing Points Selection Mode
        121-point cross-type phase detection AF and 121-point contrast AF / All target, group target (9-area or 5-area), single target
        AF Illuminator
        AF Targeting Pad
        Available (activate / deactivate with double tap on rear monitor)
        Manual Focus Assist* Customize Function
        Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
        Peaking Function
        Activate with Fn button or focus ring
        Change peaking settings using the Info button
        Color selection: white, black, red, yellow
        Intensity selection: high, normal, low
        Back light effect: on, off

Image Stabilization

        System Type
        Built-in 5-axis* sensor-shift image stabilization for movie and still photos
        *yaw/pitch/roll/vertical shift/horizontal shift
        4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF
        5-Axis Sync IS
        *When using M.Zuiko Digital lenses equipped with image stabilization
        Live View Image Stabilization
        Activation by half-pressing shutter button or enlarging view
        Focal Length Setting
        11 settings: 10 programmable settings (10 lenses), 1 open setting
        IS For Live View Image
        Activation by half-pressing shutter button or enlarging view
        Stabilization Performance
        5.5 EV*
        *Based on CIPA measurement conditions.
         When using M.Zuiko Digital ED 12-40mm f/2.8 PRO (focal length = 40mm (35mm equivalent: 80mm))
        Lens IS Priority

Shutter / Sequential Shooting

        Shutter Type
        Computerized focal-plane, high-speed mechanical shutter Silent electronic shutter
        Shutter Speed
        Mechanical Shutter: 1/8000 - 60 sec. (1/3, 1/2, 1 EV steps selectable)
        Electronic Shutter (Silent Mode): 1/32000 - 60 sec
        Bulb / Time: default setting 8 min. (1/2/4/8/15/20/25/30 min. selectable)
        Sequential Shooting Maximum Speed
        [Sequential shooting H] approx. 15 fps with selectable 10-15 fps
        [Sequential shooting L] approx. 10 fps with selectable 1-10 fps
        [Anti-shock sequential shooting L] approx. 8.5 fps with selectable 1-8 fps
        [Silent sequential shooting H] approx. 60 fps with selectable 15, 20, 30, 60 fps
        [Silent sequential shooting L] approx. 18 fps with selectable 1-10, 15, 18 fps
        [Pro Capture H] approx. 60 fps with selectable 15, 20, 30, 60 fps
        [Pro Capture L] approx. 18 fps with selectable 1-10, 15, 18 fps
        *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO
        *Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting.
        *When in Pro Capture mode, slower shutter speeds and flash can not be used。
        *When ISO is 8000 or above, 30 fps becomes the maximum sequential shooting speed, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above.
        *Focus and exposure are fixed at the values of the first shot when using sequential shooting H.
        *Maximum sequential shooting speed is 8.5 fps for anti-shock sequential shooting L, even when set to 9 or 10 fps.
        Max Recordable Pictures in Sequential Shooting
        [Sequential shooting H 15fps] RAW: Max. 84 frames, JPEG (LN): Max. 117 frames
        [Sequential shooting L 10fps] RAW: Max. 148 frames, JPEG (LN): Until card is full
        [Silent sequential shooting H 60fps] RAW: Max. 48 frames, JPEG (LN): Max. 48 frames
        [Silent sequential shooting L 18fps] RAW: Max. 77 frames, JPEG (LN): Max. 105 frames
        *When using the M.Zuiko Digital ED 12-40mm F2.8 PRO and the Toshiba SDXU-B032G memory card with standard card setting in slot 1.
        Self Timer
        Operation time: 12 sec., 2 sec.,custom (Waiting time 1-30sec.,Shooting interval 0.5/1/2/3sec.,Number of shots 1-10


        Finder Type
        Eye-level electronic viewfinder, approx. 2.36M dots
        Field of View / Viewfinder Magnification
        Approx. 100% / Approx. 1.30x*1 - 1.48x*2 (-1m-1, 50mm lens, Infinity)
        *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3)
        Eye Point / Diopter Adjustment Range
        Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1
        Live View preview with depth of field preview lock
        Display Grid
        Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid
        *grid color is selectable
        Level Gauge
        2-axis (horizontal / vertical) level gauge
        One Touch Tele-Converter
        Available (2x)
        Finder Style
        3 styles
        Brightness / Color Temp Control
        Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control
        S-OVF (Simulated OVF)
        Expands the Live View dynamic range. *Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF.
        Optional eyecup EP-13 available
        Rear Monitor Size
        3.0-inch vari-angle monitor* *Approx.1037k dots (3:2), electrostatic capacitance touch panel
        Touch Control
        Shutter release, magnification, AF area selection, AF area size adjustment, AF touch pad, frame forward/backward, magnified playback, Live Guide, Super Control Panel, Wi-Fi connection, movie controls, movie effects, movie teleconverter , selfie controls (shutter release, e-Portrait, custom self timer)
        Tilting Capability
        With (mirror display when monitor is in self portrait position)
        Brightness / Color Temp Control (Rear Monitor)
        ±7 levels / ±7 levels
        Color Tone Select
        Vivid / Natural
        Live View
        Approx. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line, magnification display (x3/x5/x7/x10/x14),
        Display modes: Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only)
        Field of View
        Display Mode
        Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only)
        Magnification Display
        Monitor Information
        Aperture value, Shutter speed, Auto Bracket, AE Lock, AF mode, IS, Shooting Mode, Battery %, Custom Set, Internal Temperature Warning, Face / Eye Detection, Histogram, Number of storable still pictures, Record mode, ISO, Sequential shooting, Self-timer, White Balance, Metering Mode, AF confirmation, Exposure Compensation Value, Spot metering Area Flash Mode, Flash Status, Flash intensity Control, Super FP, Focal length, Tone control, Eye-Fi condition, Digital teleconverter
        Display of Face Detection
        Max 8 frames of face detection can be displayed.

Exposure Control / Flash

        Metering System
        Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control *Also available AF target spot metering
        Metering Range
        EV -2 - 20 (using 17mm f2.8, ISO 100)
        Exposure Mode / Shooting Mode
        i Auto (Live Guide can be used) , P: program AE (program shift can be performed),
        A: aperture priority AE
        S: Shutter priority AE
        M: Manual (Live Bulb, Live Time and Live Composite are available)
        Custom 1,2,3
        Art Filter
        Underwater wide/Underwater macro (to be assigned to the Fn1 button)
        Scene Select AE
        ISO Sensitivity
        AUTO ISO (default) : LOW (approx.64) ‐ 6400 with customizable upper limit (200 - 6400)
        Manual ISO : LOW (approx.64), 200 - 25600 (adjustable in 1/3 or 1 EV steps)
        Exposure Compensation
        ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps When shooting in HDR or in video, only adjustable up to ±3 EV steps Live View only reflects up to ±3 EV steps
        AE Lock
        Locks with a half-press of the shutter button , AEL/AFL button(can be set to Fn button as well)
        Noise Filter at High ISO Setting
        Off, Low, Standard, High
        Noise Reduction at Slow Shutter Speed
        Off, On, Auto On : effective when shutter speed is slower than 1 sec.
        Auto : effective when shutter speed is slower than 4 sec. (at ISO 200 or higher) or 8 sec. (at lower than ISO200)
        Flash Intensity Control Mode
        TTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL)
        * Available on the external flash
        Bundled Flash
        FL-LM3(dustproof and splashproof flash)
         GN=9.1(ISO100・m)/ GN=12.9(ISO200・m)
         Bounce Capability (up and down:45, 60, 75, 90 degree / left and right 30, 60, 90, 120, 150, 180 degree)
        *Powered by the camera
        Flash Mode
        Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual(1/1(FULL)~1/64)
        Synchronization Speed
        1/250 sec.
        *When using Super FP: 1/125-1/8000 sec.
        *When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing
        Flash Intensity Control
        Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable
        Compatible External Flash
        FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8
        Wireless Flash Control
        Wireless flash transmission channel settings enable selection of the flash/no flash for groups of multiple flash units. In addition, it allows TTL auto, auto and manual models to be set; offers a bounce and swivel head; and flash coverage is automatically adjusted in several steps to correspond to the image area when zooming.
        Wireless Flash Control Method
        Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: included FL-LM3 or separately available FL-600R and FL-900R , STF-8
        Wireless Flash Intensity Control Mode
        TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
        Channel No.
        4 channels
        Group No.
        4 groups (External flash 3 groups + commander flash)

Memory / Image Recording (File Format)

        Compatible Memory
        SD, SDHC*1, SDXC*1, Eye-Fi Card compatible*2
        *1 Slot1:UHS-I,II compatible , Slot2:UHS-I compatible.
        *2 Not compatible with Endless Memory.
        Recording Format
        DCF2.0, Exif2.3
        File Format
        RAW (12-bit lossless compression), JPEG, RAW+JPEG
        Recording Image Size
        [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
        File Size
        [RAW] 5184 x 3888 pixels
        [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
        Dual Card Slot Settings
        Standard, Auto Switch, Dual Independent, Dual Same *When two cards are inserted, card to be saved on to or to be viewed can be designated.
        Folder Creation and Selection
        Copy single file, copy multiple files, copy all *When copied, the new file will be given a different name from that of the original file.

White Balance / Color Mode

        White Balance Mode
        Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)
        White Balance Compensation*
        ±7 steps along A-B / G-M axis * Except for Custom WB
        Preset White Balance
        7 preset WBs (3000K - 7500K) - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)
        CWB (Kelvin Setting)
        2000 - 14000K
        Capture White Balance
        4 custom settings can be registered
        Color Mode
        sRGB, Adobe RGB

Bracketing / HDR

        Exposure Bracketing
        2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable
        ISO Bracketing
        3 frames in 0.3/0.7/1.0EV steps selectable
        White Balance Bracketing
        3 frames in 2, 4, 6 selectable steps for A-B/G-M axis.
        Flash Bracketing
        3 frames in 0.3/0.7/1.0EV step selectable
        Art Filter Bracketing
        i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator selectable
        Focus Bracketing
        3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses)
        Focus Stacking Mode
        8 shots are taken at different focus points and automatically composited together into a single image
        * Angle of view becomes slightly smaller
        * Compatible with :
        M.Zuiko Digital ED 60mm f/2.8 Macro
        M.Zuiko Digital ED 12-40mm f/2.8 PRO
        M.Zuiko Digital ED 40-150mm f/2.8 PRO
        M.Zuiko Digital ED 30mm f/3.5 Macro
        M.Zuiko Digital ED 7-14mm f/2.8 PRO
        M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO
        M.Zuiko Digital ED 300mm f/4.0 IS PRO
        HDR (Auto Composite)
        HDR1, HDR2 (painting-like)
        ※ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec.
        ※Exposure compensation can be performed.
        Bracketing for HDR post-process
        3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps.
        *This sequential shooting H AE bracketing is specifically for shooting images that will be HDR-processed on a PC.

Creative Features

        Picture Mode
        i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Color Creator, Art Filters
        Auto, Normal, High Key, Low Key [except when using i-Enhance, Underwater, Art Filters, Color Creator]
        Filter Effect (B&W Filter)
        Neutral, Yellow, Orange, Red, Green for Monotone
        Picture Tone
        Neutral, Sepia, Blue, Purple, Green for Monotone
        Art Filter
        (Variation / Art Effect)
        Pop Art (I, II / a.b.c.d.e)
        Soft Focus ( - / c.e)
        Pale & Light Color (I, II / a.b.c.d)
        Light Tone ( - / d)
        Grainy Film (I, II / b.c.d.f.g)
        Pin Hole (I, II, III / d.)
        Diorama ( - / d.)
        Cross Process (I, II / b.c.d.)
        Gentle Sepia ( - / a.b.c.d.f.)
        Dramatic Tone (I / b.c.d.e.f.) (II / b.c.d.e.f.g.h)
        Key Line (I, II / a.b.c.d.e.)
        Watercolor (I, II / a.b.c.d.)
        Vintage (I, II, III / a.b.c.d.e.f.i)
        Partial Color (I, II, III / a.b.c.d.e.f)
        Art Effect
        a. Soft Focus Effect
        b. Pin-Hole Effect
        c. White Edge Effect
        d. Frame Effect
        e. Star Light Effect
        f. Blur Effect (Top & bottom, Left & Right)
        g. B&W Effect (None, Yellow, Orange, Red, Green)
        h. Picture Tone (None, Sepia, Blue, Purple, Green)
        i. Shade Effect (Top & bottom, Left & Right)
        Color Ring (for partial color)
        18 color selectable
        Live Bulb / Live Time
        Update Interval Time - 0.5 sec – 60 sec
        Live Composite
        Update Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization)
        Interval Shooting
        "Interval Time 1sec. - 24 Hours, Max 999 frames. Available on making Time-lapse movie automatically"
        Multiple Exposure (number of pictures / function)
        2 frames / Auto gain, Exposing on Recorded picture(RAW)
        Keystone Compensation
        Available (can be confirmed in Live View) *Horizontal and vertical compensation can be performed simultaneously.

Video / Audio Recording

        Video Recording Format
        MOV(MPEG-4AVC/H.264) , AVI(Motion JPEG)
        Movie Mode / Frame Rate / Compression Method
        4096 × 2160 (C4K) / 24p / IPB (approx. 237 Mbps)
        3840 × 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps)
        1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
        1920 x 1080 (FHD) / 60p, 50p / IPB (SF, F, N)
        1280 x 720 (HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
        60p: 59.94 fps, 50p: 50.00 fps, 30p: 29.97 fps, 25p: 25.00 fps,
        24p: 23.98 fps, C4K 24.00 fps
        FHD ALL-I (A-I: ALL-Intra / approx. 202 Mbps),
        FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx.. 30 Mbps,
        N: Normal / approx. 18 Mbps)
        HD ALL-I (A-I:ALL-Intra / approx. 102 Mbps),
        HD IPB(SF:SuperFine / approx.26Mbps, F:Fine / approx.14Mbps、N:Normal / approx.10Mbps)
        HD (1280 x 720) / 30p
        *Frame rates may drop when particular Art Filters and Movie Effects are used.
        *Class 10 or higher SD card is recommended for shooting movies.
        *UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting.
        Maximum Video Recording Time
        [MOV] Approx.. 29min [AVI] Approx. 7min*
        *Excluding when particular Art Filters are used
        Movie Tele-converter
        Approx. 3x (enlarges view of selected area)
        Art Filter Movie
        Available (Frame rates may drop when certain Art Filters are used)
        Movie Effect
        One-shot Echo / Multi-echo / Art Fade / Old Film
        Timelapse Movie
        [AVI ]
        3840×2160(4K)/ 5fps
        1920×1080(FHD)/ 5fps,10fps,15fps
        1280×720(HD)/ 5fps、10fps、15fps、30fps
        IS for Movie
        M-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS),
        M-IS2(Image sensor shift with multi motion IS), Off
        *While using M-IS1, field of view may be affected.
        AE Lock
        Video Exposure Control
        Program AE, aperture priority AE, shutter priority AE, manual
        Grid Lines / Focus Peaking
        4 types of grid lines / 4 colors for focus peaking
        Time Code
        Rec run/free run, drop frame/non-drop frame
        1, 2, 4, 8 sec.
        (Further continued shooting possible up to 16 seconds by pressing movie record button again)
        Quick Movie / Slow Movie
        With (this function is not available for videos with certain frame rates)
        Audio Recording Format
        Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
        Microphone / Speaker
        Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached
        Microphone Function
        Wind noise reduction, recording volume, microphone volume limiter
        Audio dubbing possible for still pictures (up to 30 sec.)
        *May affect audio quality.
        IC Recorder Linkage
        Slate Tone / Synchronized Audio Rec-Movie Rec *LS-100 compatible


        Easy Connection
        QR code setting
        Wireless Shooting
        Live View
        Power off
        Rec View
        Self timer (w/Countdown guidance, Sequential shooting, movie recording capability)
        Touch AF & Shutter
        P/A/S/M exposure modes (Live Bulb, Live Time, Live Composite)
        Sequential shooting
        Movie Recording
        Aperture, shutter speed, exposure, ISO sensitivity, white balance can be adjusted.*
        *When in private connection
        Tethered Shooting
        Via USB cable (camera can be operated by both PC or camera controls)
        Playback Mode
        Single-frame, information display, index display (4/9/25/100 frames), Clips, calendar, enlargement (2x - 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), slideshow (with sound including BGM, Slide show effects, replaceable BGM), Light Box display
        Information Display
        Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF
        Custom Settings / Reset
        Modes C1, C2, and C3 can be accessed by mode dial
        Modes C1, C2, and C3 can be accessed via the menu
        Dial function and dial direction are customizable for both dials
        Button Customization
        Buttons can be customized (select from 35 functions)
        *Buttons on lenses and HLD-9 power batter holder can also be customized from the camera
        *Some buttons may have restrictions to what functions can be assigned
        Copyright Settings / Lens Info Settings
        Available / With (save up to 10 lenses)
        RAW Image Editing Functions
        Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Aspect, e-Portrait, Image Overlay, Post recording
        JPEG Image Editing Functions
        Image Overlay
        Up to 3 RAW images
        Erasing Function
        Protect Function
        Menu Languages (34 selectable)
        English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai

Connectivity / Power Requirements

        USB Connector
        USB Type-C
        Remote Connector
        φ2.5Pin Jack (when using separately available RM-CB2).
        HDMI Connector
        Micro HDMI (type D)
        Flash Attachment
        Hot shoe, sync terminal
        Wireless LAN
        Built-in(IEEE 802.11b/g/n)
        MIC Input Jack
        φ3.5 stereo mini jack (plug-in power on/off)
        Headphone Jack
        φ3.5 stereo mini jack
        PC Interface
        TV Interface
        Not Available
        BLH-1 Li-ion battery (included)
        Battery Status Display
        Remaining power (4 steps, %, or by-minute display), shot count, degradation
        Power Battery Holder
        HLD-9 power battery holder is separately available (holds one BLH-1 battery).
        AC Adapter
        AC-5 AC adapter is separately available (connects to power battery holder HLD-9 to provide power to camera).
        Sleep Mode
        Available (1/3/5 min. off)
        Number of Recordable Pictures
        Approx. 440 shots (using BLH-1 and Toshiba SDHC UHS-I Card Exceria with IS ON, with no flashes attached, based on CIPA test standards)
        Approx. 950 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards)
        Battery Life for Movie Shooting
        Approx. 90 minutes* (under standard JEITA testing)
        Approx. 150 minutes* (when zoom and other operational functions are not used)
        *When repeatedly recording at the maximum time of 29 minutes

Weights & Dimensions / Operating Environment / Box Contents

        Approx. 574g (with BLH-1 battery and Memory card, based on CIPA standards)
        Approx. 498g (body only)
        W:134.1mm H:90.9mm D:68.9mm
        (based on CIPA standards: excludes protrusions)
        Environmentally Sealed
        Dust, Splash, Freezeproof
        Operating Temperature Range
        -10℃ ~ +40℃ (when in operation) / -20 ~ +60℃ (when stored)
        Operating Humidity Range
        30 - 90% (when in operation) / 10 - 90% (when stored)
        Box Contents
        Body, USB cable, cable clip, shoulder strap, instruction manual, warranty card, FL-LM3 flash, BLH-1 Li-ion       battery , BCH-1 Li-ion battery charger


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