Olympus OM-D E-M5 Mark II Body
Olympus OM-D E-M5 Mark II Body - Black
The OM-D E-M5 Mark II interchangeable-lens camera features a compact dustproof, splashproof body, with a premium design. Packed with 5-axis image stabilization, a 40-megapixel high-resolution shot mode, HD video, Wi-Fi® and a variable-angle 3-inch touchscreen. The 2.36 million dot, super-large, electronic viewfinder has a field of view of 100%, and a viewfinder magnification of 1.48x. The camera is equipped with Adaptive Brightness Technology, which automatically adjusts the backlight brightness.
Exceptional Performance
The Olympus OM-D E-M5 Mark II pairs a redesigned 16-megapixel Live-MOS Micro Four Thirds® sensor with the Olympus TruePic™ VII processor, enabling brilliant image quality in bright and low-light conditions alike. The 1/8000 mechanical shutter allows photographers to shoot using a large aperture for maximum bokeh. Users can capture RAW images at up to 10 fps with S-AF, or 5 fps with C-AF tracking enabled. An Anti-shock mode utilizes electronic first-curtain shutter to reduce shutter shock during sequential shooting. The 81-point Fast AF provides an expanded focus area, with unparalleled speed, while Small Target AF allows users to focus on small areas across the entire frame.
World’s Most Sophisticated Image Stabilization
The Olympus OM-D E-M5 Mark II’s in-body 5-axis VCM image stabilization system offers unprecedented performance. The camera’s 16-megapixel sensor shifts horizontally, vertically and on the X (pitch), Y (yaw) and Z (roll) axes in order to provide 5.0 EV steps of compensation performance. It can capture sharp images at shutter speeds as low as 1/4-second. Sensor shift on the X and Y axes can also assist when photographing close-up subjects. Image stabilization extends to the 3-inch, 1.04M-dot rear vari-angle touchscreen and the 2.36M-dot electronic viewfinder (1.48x magnification), providing a full image stabilization preview when the shutter button is pressed halfway.
40-Megpixel High-Resolution Shot
The Olympus OM-D E-M5 Mark II takes high-resolution imaging to a whole new level. In addition to the exceptional 16-megapixel stills you’ve come to expect from OM-D, the E-M5 Mark II captures 40-megapixel images. The 40-Megapixel High-Res Shot mode captures eight sequential images, moving the sensor by 0.5-pixel steps between each shot. Then, the E-M5 Mark II compiles those images to produce a super-high resolution shot.
OM-D Movie
The OM-D E-M5 Mark II’s advanced video features like the 5-axis image stabilization compensates for even the slightest movement, allowing the camera to capture stable footage. The mechanical IS unit can also work in concert with Electronic Stabilization if desired.
The OM-D E-M5 Mark II captures 1080p video at up to a 60p frame rate with up to 77 Mbps high bit-rate recording possible at the 30p setting. Additionally, the OM-D E-M5 Mark II supports 50p, 30p (29.97p), 25p and 24p (23.98p) frame rates, making it easy to blend footage captured using other camera systems. Focus Peaking with four color choices (red, yellow, black and white) as well as three selectable intensities for optimal manual focus results.
Ultimate Connectivity
The OM-D E-M5 Mark II includes Wi-Fi using the Olympus Image Share app on a smartphone or tablet.
Portability and Build
The OM-D E-M5 Mark II features a dustproof, splashproof body, that when paired with select M.ZUIKO DIGITAL lenses, can be used in the rain. Olympus’ Supersonic Wave Filter technology uses super high speed frequency movement to “shake” any dust or debris off the sensor, eliminating dust. The camera includes machined metal dials, an extended grip that makes the OM-D E-M5 Mark II comfortable to hold. The camera (body only) weighs just 417 grams, or 14.7 ounces, making it one of the lightest models in its class.
Accessories
The OM-D E-M5 Mark II includes a dustproof and splashproof bundled flash, the FL-LM3, with Guide Number 9 (at ISO 100).
The PT-EP13 Dedicated Underwater Case can be used at depths of up to 45 meters, and is designed specifically for the OM-D E-M5 Mark II. The case is equipped with a pick-up viewfinder and can be used with the cameras bundled FL-LM3 flash, along with a variety of lenses.
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E-M5 Mark II
Product Type
Micro Four Thirds interchangeable lens system camera
SD Card
SD Memory Card (SDHC, SDXC, UHS-I, II compatible, Eye-Fi Card compatible* )
BAN THE BLUR
The E-M5 Mark II utilizes the most advanced In-Body IS unit in its class. Employing employing updated gyro sensors for a full 5 exposure steps of compensation, the E-M5 Mark II delivers sharp clear still images in low light or steady HD video when your capturing movies.
Image Stabilization System
Type
Built-in 5-axis* sensor-shift image stabilization for movie and still photos
*yaw/pitch/roll/vertical shift/horizontal shift
Mode
4 modes (S-I.S.AUTO, S-I.S.1, S-I.S.2, S-I.S.3), OFF
Live View image stabilization
Activation by half-pressing shutter button or enlarging view
Focal length setting
Yes
Stabilization performance
5.0 EV*
*Based on CIPA measurement conditions.
When using M.Zuiko Digital ED 12-50mm F3.5-6.3 EZ (focal length=50mm (35mm equivalent with 100mm))
Lens IS priority
Yes
FULLY PROOFED AND PORTABLE SYSTEM
A durable rugged magnesium alloy construction body won’t let you down in harshest of environments or during the toughest assignments. The most effective dust reduction system in the industry lets you change lenses in dusty locations without worry
Operating Environment
Temperature
-10 ~ +40℃ (when in operation) / -20 ~ +60℃ (when stored)
Humidity
30 - 90% (when in operation) / 10 - 90% (when stored)
Dimensions / Weight
Dimensions
123.7mm(W) × 85mm(H) × 44.5mm(D)
Weight
Approx. 469g (with BLS-50 battery and Memory card)
Approx. 417g (body only)
Weather Resistance
Dust, Splash and Freezeproof Construction
Operation down to 14 degrees Fahrenheit
Dust Reduction System
Automatic Operation
Functions every time the camera is turned on.
UPGRADE YOUR IMAGES
Getting stunning results with your photography is easy with the E-M5 Mark II. A high-speed 16MP sensor and TruePic VII processing engine deliver accurate reproduction of color, contrast and fine subject details. Options like “aspect ratio” choices and 40 mega-pixel high resolution shot give you the flexibility to incorporate your creative vision into your photography
Image Sensor
Product type
4/3 Live MOS Sensor
Number of pixels / aspect ratio
Number of effective pixels: Approx. 16.1 million pixels
Total number of pixels: Approx. 17.2 million pixels
Aspect ratio: 1.33 (4:3)
Recording(Still)
Recording format
DCF, DPOF compatible / Exif, PRINT Image Matching III, MPO compatible
File format
RAW (12-bit lossless compression), JPEG, RAW+JPEG, MPO(3D still)
Recording image size
RAW: 4608 x 3456 pixels
JPEG: 4608 x 3456 pixels - 640 x 480 pixels
File size
RAW: 4608(H)x3456(V) (approx. 1/1.5 lossless compressed) Approx. 17MB
Set1(LF): 4608(H)x3456(V) (1/4 compressed) Approx. 7.5MB
Set2(LN): 4608(H)x3456(V) (1/8 compressed) Approx. 3.5MB
Set3(MN): 3200(H)x2400(V) (1/8 compressed) Approx. 1.7MB
Set4(SN): 1280(H)x960(V) (1/8 compressed) Approx. 0.4MB
40 Megapixel Capture Mode
File Size
40mp JPEG, 16mp .ori RAW, 64mp .orf RAW
Focusing
AF system
High-speed imager AF
Focus mode
Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR)
Full-time AF
Available
Magnified frame AF
Selectable from over 800 AF points
Selectable magnification: x3, x5, x7, x10(Default), x14
Super Spot AF available only when a Micro Four Thirds lens is attached
Face detection AF / Eye detection AF
Yes
Eye Detection AF mode: off / nearer-eye priority / right-eye priority / left-eye priority
Focusing point / Focusing point
selection mode
81-area multiple AF/ All target, group target area (9-area), single target(normal), single target(small)
AF illuminator
Yes
Manual focus assist
Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
Peaking function
Activate with Fn button or focus ring
Change peaking settings using the Info button
Color selection: white, black, red, yellow
Intensity selection: high, normal, low
Back light effect: on, off
Shutter
Shutter type
Focal-plane shutter / 1/8000 - 60 sec., with selectable EV adjustment steps (1/3, 1/2, 1)
Bulb/Time: selectable exposure time (1/2/4/8/15/20/25/30 min.), with 8-min. default setting
Drive
Sequential shooting maximum speed
Sequential shooting H mode: approx 10.0 fps (IS OFF, Focus and exposure are fixed at the values for the first shot.)
Sequential shooting L mode: approx 5.0 fps
*When using the M.ZUIKO DIGITAL ED 12-50mm f3.5-6.3 EZ
Max. recordable pictures
RAW: Max. ∞ frames (in 5.0 seq. shooting L) Max. 16 frames (in 10.0 seq. shooting H) on sequential shooting *
JPEG: Max. ∞ frames (in 5.0 seq. shooting L) Max. 19 frames (in 10.0 seq. shooting H)
*When using the M.Zuiko Digital ED 12-40mm f2.8 Pro
*With TOSHIBA SDHC UHS-II R95・W90 EXCERIA™
Self-timer
Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF
High Res Shot
Resolution
Equivalent to 40M pixel sensor (8 shots combined into a single JPEG using sensor shift)
*Available in P/A/S/M mode, RAW+JPEG or JPEG.
*JPEG: 7296 x 5472 / RAW: 9216 x 6912
*RAW data can be developed in-camera. Development by PC is possible with the appropriate plug-in.
Shutter Type / Shutter Speed
Electronic shutter / 1/8000 - 8 sec.
Anti-shock Mode
Shutter Type / Shutter Speed
Electronic first curtain shutter / 1/320* - 60sec
*For speeds over 1/320 sec., mechanical shutter will automatically be selected.
Shutter start delay
0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30sec
Silent Mode
Shutter Type / Shutter Speed
Electronic shutter / 1/16000 - 60sec
Shutter start delay
0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30sec
SERIOUS MOVIES MADE SIMPLE
Capture Cinema quality movies your way. The E-M5 Mark II’s 5 axis image stabilization unit lets you follow the action and shoot “hand held”without the need for cumbersome stabilization rigs or expensive and time consuming post processing. Advanced movie features like variable frame rates, audio recording and monitoring options are available for the more advanced videographer.
Movie
Recording format
MOV(MPEG-4AVC/v) , AVI(Motion JPEG)
Mode / frame rate / compression method
MOV:
1920x1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF,F,N)
1920x1080 (FHD) / 60p, 50p / IPB (SF, F, N)
1280x720 (HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF,F,N)
*60p: 59.94fps, 50p: 50.00fps, 30p: 29.97fps, 25p: 25.00fps, 24p: 23.98fps
*FHD ALL-I (A-I: approx. 77Mbps)
*FHD IPB (SF: approx. 52Mbps, F: approx. 30Mbps, N: approx. 18Mbps
AVI:
1280x720 (HD) / 30p
*Frame rates may drop when particular Art Filters and Movie Effect are used
*Class 10 or higher SD card is recommended for shooting movies
*UHS-II or UHS-I U3 card is recommended for ALL-I shooting.
Maximum recording time
MOV: Approx 29 min
Battery Life
AVI: HD: Approx 7 min* / SD: Approx 14 min*
*Excluding when certain Art Filters are used.”
“Approx. 80 minutes* (under standard JEITA testing)
Approx. 150 minutes* (when zoom and other operational functions are not used)
*When repeatedly recording at the maximum time of 29 minutes
Art Filter Movie
With (Frame rate: 30fps or lower.)
Movie Effect
One-shot Echo / Multi-echo / Art Fade / Old Film
One-push Movie Digital Conveter
×4
Time Lapse Movie
AVI Motion JPEG 1280×720,10fps
Photo in Movie
With (mode1* / mode2)
*mode1 is available when recording framrate is less than 30p.
Clips
1, 2, 4, 8 sec
(Further continued shooting possible by pressing movie record button again)
Quick Movie / Slow Movie
With
Image Stabilization for Movie
M-IS1(Image sensor shift and electronic image stabilizer with multi motion IS),
M-IS2(Image sensor shift with multi motion IS), Off
*Field of view may be affected.
Grid Line / Focus Peaking
4 types of grid lines / 4 colors for focus peaking
Time code
Rec run/free run, drop frame/non-drop frame
Live View Output via HDMI
With (GUI* is shown on connected device only, and peaking function is not available when connected by HDMI.)
*GUI can be hidden on the connected device by pressing down on INFO button for recording an external drive under the following condition. Movie quality: YCbCr 4:2:2 / Frame rate: same as movie setting (24p, 30p and 60p settings are not recommended.) / Sound recording: not available
Exposure Control
Program AE, aperture priority AE, shutter priority AE, manual
AE Lock
With
Recording (Sound)
Recording format
Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
Microphone / Speaker
Stereo/Mono
Microphone function
Wind noise reduction, Recording volume, Microphone volume limiter
Audio dubbing possible for still pictures (up to 30 sec.)
LEAVES NOTHING TO BE DESIRED
Olympus is at the forefront of Electronic Viewfinder technology. The E-M5 Mark II employs our most advanced EVF. From the intuitive “adaptive brightness” feature to the numerous creative camera features that the EVF dynamically delivers right before your eyes, you’ll never look back. The 3 inch vari-angle swivel touch screen monitor shines whether your shooting movies, reviewing your shots, or getting down and low to achieve a difficult composition.
Finder
Finder type
Eye-level electronic viewfinder, approx. 2.36M-dot
Field of view / Viewfinder magnification
Approx. 100% / Approx. 1.30x*1 - 1.48x*2 (-1m-1, 50mm lens, Infinity
*1: at Finder Style 1, 2 (aspect 4:3) *2: at Finder Style 3 (aspect 4:3)
Eye point / Diopter adjustment range
Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1
Preview
Live View preview with depth of field preview lock
Display Grid
Off / normal grid / golden grid / scale / diagonal / movie grid
Level Gauge
2-axis (horizontal/vertical) level gauge
Finder Style
3 styles
Brightness / Color temperature control
Automatic control of adaptive brightness technology / manual control (7 levels)
Expansion of Live View Dynamic Range
When in HDR1 and HDR2
Eyecup
Interchangeable with separately available EP-16 eyecup
Live View
Live View
Approx. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line, magnification display (x3/x5/x7/x10/x14), Display modes: Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only)
Preview
Preview with depth of field preview lock
Monitor
Monitor type
3.0-inch vari-angle monitor*
*Approx.1037k dots (3:2), electrostatic capacitance touch panel
Touch control
Shutter release, magnification, AF area selection, AF area size adjustment, frame forward/backward, magnified playback, Live Guide, Super Control Panel, Art Filter selection, scene mode selection, Wi-Fi connection, selfie shutter release
Tilting capability
With (mirror display when monitor is in self portrait position)
Brightness / Color temperature control
±7 levels / ±7 levels
Color tone select
Vivid / Natural
Wi-Fi Function
GPS info. Function
Via smartphone GPS data
Wireless Shooting
Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off
iAuto / ART / P / A / S / M (Live Bulb, Live Time) and drive mode can be selected.*
Aperture, shutter speed, exposure, ISO sensitivity, white balance can be adjusted.*
*When in private connection
Image Share
File Type: JPEG*, MOV
Connect to up to 4 devices simultaneously. Marking function for image share.
*Excluding MPO file
Easy Connection
QR code setting
Tethered shooting
Tethered shooting
Via USB connection, with use of Olympus Capture tethering software (camera can be controlled by both the camera and computer)
BUILT-IN CREATIVE FEATURES
With so much creative control on tap, you may find yourself going back to going back to some of your favorite shooting destinations to test the E-M5 Mark II’s creative abilities. And with “in-camera” features like “Photo Story”, HDR, and deep options for Art Filter shooting, your creative vision will never be muted!
Bracketing
Exposure bracketing
2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable
*AE-BKT can be programmed to the Fn-button.
ISO bracketing
3 frames in 0.3/0.7/1.0EV steps selectable
White balance bracketing
3 frames in 2, 4, 6 steps selectable in each A-B/G-M axis.
Flash bracketing
3 frames in 0.3/0.7/1.0EV step selectable
Art Filter bracketing
i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters selectable
HDR function
HDR(Auto composite)
HDR1, HDR2 (painting-like)
※ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec.
※Exposure compensation can be performed.
Bracketing for HDR postprocess
3 or 5 frames in 2.0/3.0EV steps selectable, 7 frames in 2.0EV steps selectable.
*This function does not execute HDR processing.
*HDR function can be assigned to the Fn-button.
Art Filter
Mode (Variation / Effect)
Pop Art (I, II / a.b.c.d.e.f.)
Soft Focus ( - / c.e.)
Pale & Light Color (I, II / a.b.c.d.f.)
Light Tone ( - / d.f.)
Grainy Film (I, II / b.c.d.g.h)
Pin Hole (I, II, III / d.)
Diorama ( I,II / d.)
Cross Process (I, II / b.c.d.f.)
Gentle Sepia ( - / a.b.c.d.f.)
Dramatic Tone (I / b.c.d.e.f.) (II/ b.c.d.e.f.g.h)
WaterColor (I, II / a.b.c.d.)
Vintage (I, II, III / a.b.c.d.e.f.i)
Partial Color (I, II, III / a.b.c.d.e.f)
Art Effect
a. Soft Focus Effect
b. Pin-Hole Effect
c. White Edge Effect
d. Frame Effect
e. Star Light Effect
f. Blur Effect (Top & bottom, Left & Right)
g. B&W Effect (None, Yellow, Orange, Red, Green)
h. Pict. Tone (None, Sepia, Blue, Purple, Green)
i. Shade Effect (Top & bottom, Left & Right)
Color Ring (for partial color)
18 color selectable
PHOTO STORY
Type (Variation / Flame / Number of
Standard (I,II,III,IV / a,b,c,d / A, B,C,D)
Fun Frame (I,II,III / - / - )
Speed ( - / - /A,E,F)
Zoom in / out (I,II/ a, c / A, G)
Layout (I,II,III,IV/ - / - )
Frame Effect
a. White Frame
b. White Frame & White Edge Effect
c. Black Frame
d. White Frame & Pin Hole Effect
Aspect & Window Pattern
A. 4:3, 2 frames
B. 4:3, 3 frames
C. 1:1. 2 frames
D. 1:1, 3 frames
E. 1:1, 4 frames
F. 16:9. 5 frames
G. 16:9, 2 frames
Hold function
With
Live Bulb / Live Time
Update interval time
0.5 sec - 60 sec
Live Composite
Update interval time / composite method
0.5 sec - 60 sec / Lighten Mode (Bright area prioritization)
Interval Mode
Interval Mode
Interval Time 1sec. - 24 Hours, Max 999 frames.
Available on making Time-lapse movie automatically
Multi Exposure
Number of picture / Function
2 frames / Auto gain, Exposing on Recorded picture(RAW)
Keystone Compensation
Keystone Compensation
Yes (can be confirmed on Live View)
EXPOSURE CONTROL
Shutter
Shutter type
Focal-plane shutter / 1/8000 - 60 sec., with selectable EV adjustment steps (1/3, 1/2, 1)
Bulb/Time: selectable exposure time (1/2/4/8/15/20/25/30 min.), with 8-min. default setting
Exposure Control Still
Metering system
(TTL Image sensor metering)
Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering, spot metering with highlight control, spot metering with shadow control
Metering range
EV -2 - 20 (using 17mm f2.8, ISO 100)
Exposure mode
i Auto, P: Program AE (Program shift can be performed), A: Aperture priority AE,
S: Shutter priority AE, M: Manual, Bulb, Time, Scene select AE, Art Filter,
Underwater wide / macro* , My Set
*Selectable from menu as a function on Fn button
*My set can be set to mode dial function
Scene select AE
Portrait, e-Portrait, Landscape, Landscape + Portrait, Sport, Hand-held Starlight*1, Night scene, Night + Portrait, Children, High Key, Low Key, DIS mode, Macro, Nature Macro, Candle, Sunset, Documents, Panorama, Fireworks, Beach & Snow, Fisheye Conv., Wide Conv., Macro Conv.,Panning, 3D*2,
*1 8 images automatically shot and combined into a single image composite
*2 For 3D lens(H-FT012 by Panasonic) only, still photo only
ISO sensitivity
AUTO ISO : LOW(approx. 100) ‐25600 (customizable, Defalut:LOW-1600)
Manual ISO : LOW(approx.100), 200 - 25600, 1/3 or 1 EV steps selectable
Exposure compensation
Still photo ±5 EV, movie ±3 EV, with selectable EV adjustment steps (1/3, 1/2, 1)
AE lock
Locks with a half-press of the shutter button (can be set to Fn button as well)
HDR Auto
HDR Auto
ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec.
※Exposure compensation can be performed.
White Balance
White balance mode
Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)
White balance compensation
±7 steps in each A-B/G-M axis * Except for Custom WB
FLASH
Flash intensity control method
“TTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL)
* Available on the external flash”
Built-in flash
Bundled standard flash
FL-LM3(dustproof and splashproof flash)
GN=9.1(ISO100•m)/ GN=12.9(ISO200•m)
Bounce Capability (up and down:45, 60, 75, 90 degree / left and right 30, 60, 90, 120, 150, 180 degree) *Powered by the camera
Flash mode
Flash Auto, Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual1/1FULL~1/64
Synchronization speed
1/250 sec.
Flash intensity control
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